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Previously, Spampinato appeared opposite Matt Damon, Christian Bale and Caitriona Balfe in the Oscar-winning drama \"Ford vs Ferrari,\" directed by James Mangold. She is also known for her starring role as Flavia in Paramount Pictures' Italian blockbuster \"Il Giorno Più Bello Del Mondo,\" opposite Alessandro Siani. The film was in the top five highest-grossing Italian movies of 2019.
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Additional movie role credits for Spampinato include \"Less is More,\" a comedy TV movie for Disney France; \"4got10,\" opposite Denny Trejo and Dolph Lundgren; \"Darkness Falls,\" starring Chaney Kley and Emma Caulfield; and the 20th Century Fox animated feature \"Spies in Disguise\" with the voices of Will Smith and Tom Holland, amongst others.
Located on the 2nd floor of the popular Dolphin Mall, CMX Cinemas Dolphin 19 & IMAX (formerly Cobb Theatres) is the go-to family-friendly movie experience for the Miami community. Movie lovers can enjoy the latest audiovisual technology such as IMAX and D-Box, while indulging in staples such as sodas, candies, and popcorn. This family-friendly theater features 19 screens with 100% digital projection. The multi-functional theater is also available to rent for movie screenings, birthday parties, corporate events and all kinds of celebrations.Contact Us: (305)-591-0785
The submarine K-19 is not technically at war, so there are no depth charges, but the story involves a deadlier threat: Will the onboard reactor melt down, causing a nuclear explosion and possibly triggering a world war? The movie is set in 1961, at the height of the Cold War, and is loosely based on a real incident. A new Soviet nuclear sub is commissioned before it is shipshape, and sails on its first mission as a bucketful of problems waiting to happen. Many of the problems are known to its original captain, Polenin (Liam Neeson). But when he insists after a test run that the submarine is not capable, he is joined on board by Capt. Alexei Vostrikov (Harrison Ford), who outranks him and is married to the niece of a member of the Politburo.
Both men are competent naval officers, and Polenin does his best to work with Vostrikov; his men consider Polenin their captain but are persuaded to go along with the senior man, even after Vostrikov orders a dive that tests the ultimate limits of the sub's capabilities. (Such scenes, with rivets popping and the hull creaking, are obligatory in submarine movies.) Most of the big scenes take place in close quarters on the command desk, where dramatic lighting illuminates the faces and eyes of men who are waiting for the sub's shell to crack. By casting the two leading roles with authoritative actors, "K-19" adds another level of tension; if one were dominant and the other uncertain, there would be a clear dramatic path ahead, but since both Vostrikov and Polenin are inflexible, self-confident and determined, their rivalry approaches a standoff.
It is rare for a big-budget Hollywood production to be seen entirely through the eyes of foreigners, and rarer still for actors like Neeson and Ford to spend an entire role with Russian accents. There isn't even a token role for an American character, and the movie treats the Soviets not as enemies but as the characters we are expected to identify with; the same approach allowed us to care about the German U-boat crew in "Das Boot." Are Ford and Neeson, both so recognizable, convincing as Russians? Convincing enough; we accept the accents after a few minutes, and get on with the story. The fact that both men seem unyielding is crucial, and the fact that Vostrikov may be putting political considerations above the lives of his men adds an additional dimension.
There is one surprise in the movie, a decision having nothing to do with the reactor, that depends entirely on the ability of the characters to act convincingly under enormous pressure; casting stars of roughly equal weight helps it to work.
This murder mystery anthology series is a collection of movies in different cities and towns around Paris. Each one has its own separate cast and location, so if you try the first one and don't love it, skip around and try a few others. It's a Who's Who of French acting talent, but even without that, it would be worth watching for the scenery.
In this French series, Agatha Christie's mysteries are adapted for a set of feature-length TV movies. Episodes in the third series begin to deviate from Christie's works, but they're made in the spirit of Christie's work, and they offer kind of a nice change for anyone who's seen all of Christie's own works adapted dozens of times.
The Regency Agoura Hills Stadium 8 and Van Nuys Plant 16 provide DBOX premiere seating! Motion editing is a new artform, a new sophisticated discipline where art meets technology meets cinema. It leads to the rise of MFX, a multi-sensorial revolution in movie-watching and gaming. Action becomes motion. Sounds become motion. Events become motion. Brace yourself for an entirely new, unforgettably immersive experience. All of this MFX fun is made possible by our patented, award-winning D-BOX technology. Only D-BOX offers you MFX using 3 types of intelligent movement (subtle pitch, roll and heave) to move you gently forwards and backwards, from side to side and up & down. Combine that with the D-BOX-encoded intelligent vibrations and it all comes together to create the most amazing, all-encompassing entertainment experience ever.
Tears of the Black Tiger (2000) is a movie written and directed by Wisit Sasanatieng. The film was banned in Thailand due to violent content, but it went on to become one of the most popular films in Thai history.
Meanwhile, the movie throws everything onto the conspiracy cork board, with Jeffrey Epstein, Anthony Fauci, Justin Trudeau, Greta Thunberg, and Bill Gates flashing before our eyes, next to mentions of MKUltra and a clip from that infamous Sasquatch hoax video.
I have already read superficial denunciations of the movie by media outlets that do not address the core claims the movie makes. I get it. The escalation of the anti-vaccine rhetoric into a mad fever pitch is so pronounced, it can leave us speechless. We resort to dismissal, anger, and accusations of widespread idiocy. 2ff7e9595c
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